Categories
creative music

treachery 2.0

Sometime around ~1991 i made this song:

I got a wild hair up my ass and am re-recording it now. It’s something i half-heartedly started working on many years ago, but didn’t really feel that version was quite up to snuff. Here’s what the new version is starting to sound like:

I’ve still got some work to do (adding guitars and sound effects, for example), but i like where it’s going so far.

Edit 25 February 2025: added a guitar part & did some stuff. Still working on it!

Oh i also made this cool splash screen image for Reaper too.

Categories
music

finally, some new songs are starting to emerge

A couple of sketches of works-in-progress. I’m always accidentally working in either a fucked-up time signature or a fucked-up key; here it’s the latter for both of these tunes. The first is practically fucking chromatic, while the second is diminished. What the hell is wrong with me.

transmothra · sketch #8

This one is at a very, very early stage.

transmothra · sketch #9
Categories
music

“like we are” working mix

[soundcloud url=”https://api.soundcloud.com/tracks/257580417″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Rough, working mix of a recording still in progress.

I’m not sure how this mix sounds on various systems, so i’d love some feedback re: balancing elements, stereo panning, EQ, etc. (and yes, i do know the singer is shitty, but he’s all i’ve got to work with).

Here are the lyrics.

Categories
life uncategorized

randomness

i’ve been sick now for weeks. i just used up the last of my second Rx of antibiotics and i still don’t feel 100%. Maybe 75%.

Holly quit work. She seems to be doing much better.

My Studio Projects VTB-1 mic preamp is dying. I think it’s got a bad tube. A great cheap pre, but i’ve probably run less than 6 hours of audio through it.

We have mice. I cannot kill another living thing.

Categories
creative music podcasts songs uncategorized

Downside, an upside

Finally, after three or four days of nearly agonizingly languishing meditation on the fate of my latest song, comes the breakthrough I’ve been lusting after: I had gotten up to go to bed, and the moment took me completely by surprise. And at first, I did not even know that it was the missing piece that I sought.

Rising from my chair and extinguishing one of my last cigarette butts in my desk ashtray, I found that I had a melody already in my head, complete with an accompaniment of washing, ethereal rhythm guitar. It was nothing more than background noise; the blips and bleeps that randomly orchestrate themselves into patterns of thought or waves of sound. The type that usually functions merely as a filter through which to perceive the void in front and behind you as the world, as reality, often taking on the arduous task of giving you a rhythm with which to shuffle your feet forward.

And then it struck me: I had a bit of an interesting thing going on… I wondered if I should take a moment to figure out the melody and the chords underneath, so as not to forget it when I awake, seven hours later and a completely newborn human being all over again.

As I considered how best to record this thing without having to actually turn on my digital multitrack recorder, it hit me once more, as if to carry the point home: what if it goes with the thumping, driving, slow groove I’ve already got? Yet again was I assaulted with more forceful, intuitive instruction from within: Turn the fucking recorder on, you idiot! Do not lose this! It is perfect!

I turned on the recorder, hastily gathered together a few effects pedals (after trying to figure out how best to save the current patches onboard the VS-880EX recorder for the drums, without losing the careful nuances I’d already fine-tuned), plugged in an electric guitar, and ran it through.

It fit. Perfectly. The rising melody, like a siren calling from a forgotten time; the cascading, echoed rhythm guitar burbling underneath like waves upon the ocean; the bass, thumping along like exhausted, yet somehow furiously driven oars hitting the water with a great, unified FLONGT.

[SHIFT]+[STORE]. Save Current? Y.

Must leave, go to bed, reboot, so as not to ruin it with overthinking things. Tomorrow, I will begin again.

Poweroff/Restart? 0.

Thomphsss, sleep now.

Downside (working title), sample 1

Categories
creative life music uncategorized

Downside

Lately i’ve been working, taking as much care of Holly as I can humanly manage (and managing to piss her off once in a while, too – oops), trying, frankly desperately, to keep my head above water financially, and trying – my god, I’m trying – to manage my creative life. Primarily at the moment I’m working hard on a brand new song. This one’s heavy, with a low, funky “Those Shoes” kind of vibe. The working title is “Downside,” and lyrically, it’s about the hear/see/speak-no-evil attitude of rich people when dealing with those of us on the Other Side of town. The Battle of the Haves vs. the Have Nots. That could always change, as these things do, when the lyrics start getting downright sophomoric. Low bass, some common and twisted chord changes, and chaotic, mind-bending guitar, with a Soundgardenesque vocal melody. Probably been done before, but this one’s mine.

Over time, I plan on posting a sort of mini-log of how it’s going. If possible, i’d love to post a running mix as it develops; however, my creative time is severely limited, so this might take a longer time than I’d like. For anyone who might read this who’s a home-recording nut, this one’s for you. DIY, baby.

Categories
creative internets music

EQ tips

EQ tips – excerpt from “The Mixing Engineer’s Handbook” by engineer Bobby Owsinski

Categories
music web design

Some older songs

Music page updated slightly with some old songs, and an early, super-rough mix of the one i’m finishing right now.

Me & Kramer

Categories
creative memories music podcasts songs

ain’t got time for The Shins

here’s an old track from the early 90s. i recorded this on a Fostex X-26 4-track cassette recorder with a Dixon Les Paul copy and a Radio Shack mic. enjoy the (badly done) faux Robert Plant-isms.
[audio:https://transmothra.com/audio/sins.mp3]